By the time I was lucky enough to gain a credit on Florence’s platinum selling ‘Ceremonials’ album, I had worked with Florence a number of times before.
I first met her during a few
sessions with songwriter-producer Isabella ‘Machine’ Summers, while we demoed vocals for potential album tracks.
Then, still during the early stages of Ceremonials, I spent 2 weeks with Florence and legendary producer Paul Epworth during their writing
process. Working so closely with Paul was a fantastic experience; not only was it inspiring to see how he worked with Florence to construct music, but as he was has such a
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friendly and welcoming character, I was able to ask his advice on how to build a career such as his.
Once the album was at last in production, I was enlisted to engineer on “Remain Nameless,” working again with Isa.
To say I was involved in such a hugely successful project and been able to
work with some of the industries most influential people has given me yet more
of an appetite to build on these experiences.